My thoughts about Education Humanities, Technology and Digital Culture. Interested on social media tools in educational contexts and
gamification in education.
Described as a precursor of German Expressionism, painter Paula Modersohn-Becker, who died in 1907, at the age of 31, has had a great impact on the art world for decades.
She worked at fever pitch, producing 80 pictures in a year. She died in 1907, having sold three paintings in her lifetime, leaving behind a forest of letters and diaries.
Today, Modersohn- Beckeris considered to been on of the pioneers of Modernism. Virtually unknown during her life-time.
"To sleep among my paintings is beautiful. My studio is very light during moonlit nights. Upon waking I quickly jump up and I look at my work: my paintings are what first meet my eye."
Paula Modersohn-Becker
The painter revolutionized the art world, eschewed traditional limits put on women painters, and produced art at a feverish rate of as many as 80 pictures a year — as if her personal time was running out.
Elsbeth in the garden with glass ball c.1902
private collection
Paula Modersohn-Becker
credits: Paula Modersohn-Becker Foundation
The human form is very much at the centre of Modersohn-Becker’s work; children, old women, and Worpsweder peasants inspired her to undertake portraiture.
When she was 18, she joined an artist colony in Worpswede, northern Germany, where she met her future husband, Otto Modersohn.
Paula Becker decided to move to Paris to learn more about modern art and pursue her passion and ambition in paintings.
She, Picasso, and Matisse introduced the world to modernism and her work is still admired to this day, along with her courage and ambition.
Google Doodle Paula Modersohn-Becker’s 142nd Birthday illustration: DuoGolden Cosmos
There she is, you are saying ! Writing about Art and Doodles, once again. I know, I know. Being from Humanities, I love all the expressions of Visual Arts, Music, Literature, Linguistics.
"Renowned German expressionist painter Paula Modersohn-Becker was born on this day in 1876. Her art bears witness to her courage, boldness, and ambition - a temperament that greatly influenced her short but prolific career."
The Doodle reflects Paula Modersohn-Beckerartistic style depicting domestic subjects.
Resources:
Google Arts : Paula Modersohn-Beckerartistic : between Worpswede and Paris
Swiss painter, sculptress, dancer and textile artist who took French nationality. The daughter of a German father and Swiss-German mother, Sophie Taeuber grew up in an environment in which art and culture were part of daily life.
Gracing the face of every Swiss 50 franc bill is the straightforward gaze of a dark-eyed woman. Behind this serious portrait lies one of Switzerland's most colorful artists: Sophie Taeuber-Arp, whose 127th birthday Google celebrates today with an artistic Doodle.
Once again Google the search engine and its doodler team is honoring women in Arts. The last one was the Brazilian Lygia Clark on the 23 October 2015. And I can't forget the French Niki de Saint Phalle on the 29 October 2014.
Today, 19 January 2016 the Swiss artist Sophie Taeuber-Arp, one of the foremost figuresin the rebellious Dada art movement,has had her 127th birthday honoured with a Doodle.
The Swiss artist Sophie Taeuber-Arp is the latest individual to receive a special Google Doodle celebrating her life and work.
"This was an especially fun doodle because Sophie Taeuber-Arp was such a prolific and diverse artist. I almost couldn’t make up my mind which of her works to draw inspiration from, and I just wanted to keep going. Hopefully in the end, I was able to capture the spirit of at least one aspect of her work, and help draw a few more eyeballs to her many contributions to the arts."
Artist: Mark Holmes
Composition of Circles and Overlapping Angles, 1930
Sophie Taeuber-Arp was a leading figure in Zürich and Paris Dada. Taeuber-Arp pushed the limits of abstraction in paintings, sculpture, and textiles. She also danced and designed sets for Dada performances.
She was known as one of the foremost artists of geometric abstraction - which forms the style of today's Doodle.
Her work is like dance music – liberating and joyful. Abstract art is often said to originate in the heavily spiritualist ideas of artists like Wassily Kandinsky (my post on 16 December 2014) and Piet Mondrian. Yet Sophie Taeuber-Arp invented, along with Hans Arp, a different kind of abstraction that accepts chance and roots itself in the physical rather than spiritual world. It is like a utopian game.
So why is she important? She showed that abstract art was child’s play.
Born in Davos, Switzerland in 1889 as Sophie Henriette Gertrude Taeuber, Taeuber-Arp is now recognized as one of the key figures in the Dada artistic movement, though in her lifetime she fought for her less figurative style of art to be recognized as fine art.
Born in Davos, Switzerland, Taeuber-Arp left home at eighteen to study textile design in Munich. Returning to Zurich in 1915, she began to produce non-representational paintings, which she referred to as “concrete” paintings. The paintings were influenced by her training in textile design, as well as Cubism.
Sophie Tauber-Arp, 1918
Taeuber-Arp was a Swiss artist, designer, architect and dancer. Notably, she’s one of the most important artists of geometric abstraction – her minimalistic style, which is reflected in her textile artwork, marionettes, interiors, drawings, paintings, reliefs and sculptures, makes her distinguished amongst other artists of the early 20th century.
Together with her husband, Dadaist artist Hans Arp, she permanently moved to France in the late 1920’s.
Her participation in the International Exposition of Modern Industrial and Decorative Arts took her to Paris in 1925 where the couple, who would obtain French nationality the following year, frequented the Surrealists.
From 1916–1928, Taeuber-Arp taught textile design at the Zurich School of Arts and Crafts. Taeuber-Arp was active in Zurich’s Dada group between 1916 and 1919; she danced in avant-garde performances at the Cabaret Voltaire, an important center of Dada activity.
At the same time, she met Jean Arp, French sculptor, painter and collagist in 1922. The pair famously created vast, abstract multimedia works under the umbrella Duo Collages.
After World War I, many of Taeuber-Arp’s friends and colleagues moved to Paris. She continued teaching in Zurich until 1928 when she and Jean Arp moved to Meudon, near Paris. Together with her husband and artist Theo van Doesburg, Taeuber-Arp received a commission to design the interior Café de l’Aubette (destroyed and rediscovered), one of the first modernist spaces to unify form and function, in Strasbourg, France.
The café commission marked the beginning of the most productive period in the artist’s life. She joined several artists’ organizations, edited and wrote for radical publications, and exhibited her work throughout Europe.
Arp was a friend of the celebrated Surrealist Max Ernst, and is considered a founder member of the anarchic Dada movement, which celebrated the avant-garde, conceptual approach to creating art, often resulting in unorthodox materials appearing in abstract, unusual compositions.
Taeuber-Arp and her husband fled to southern France when the Nazis invaded Paris. In late 1942, they returned to Zurich, where she died in 1943, the 12 January. After Taeuber-Arp’s accidental death by carbon monoxide poisoning, Arp worked to promote her legacy, in part by producing a number of posthumous “re-creations” of her artworks.
What is Dadaisme?
The Dadaist movement was an art movement of the European avant-garde in the early 20th century.
The movement sprung up in Zurich, Switzerland during and immediately after World War I, largely in reaction to the 10 million dead killed during the conflict.
In 1916 the Dadaists - the nonsense poet Hugo Ball and the maverick writer and drummer Richard Huelsenbeck - began to put on performances in the Cabaret Voltaire club in Zurich, expressing their disgust with the war.
The artists blamed rational society for bringing European civilisation to the brink of destruction so they created art that was anything but rational: it was absurd and playful and it often meant nothing.
The name also meant nothing. In 1916, the poet Tristan Tzara apparently stuck a penknife into a dictionary at random and landed on the French name for 'hobbyhorse'
«'Doodling’ other artists gives us the chance to truly appreciate their work through the study and deconstruction of their art.»
Artist: Mark Holmes
The same quote can be applied when we include the Doodle into our lessons. The students will learn to admire the work of an artist, beginning to appreciate art and later they wil understand the artist, his/her work, and the 'epoque' or artistic movement she/he integrated.
As I always write, Arts are absolutely necessary to a complete and better education of children and young adolescents.
Discovering Arts in school education, some students can pick their inner path on Arts and later they will choose Art colleges and Higher Schools of Arts to develop their aptitude by a real leaning of Arts.
Digital culture is well-come into the the curricula as an important tool to tackle the world's toughest problems creating bridges and establish a truly intercultural world, where diversity can be celebrated, a world where different cultures not only coexist but value each other for their contributions and potential.
Level: All levels.
Focus on Arts (Vocational Education) ; School of Arts (Higher Education.
Secondary education: cross-curricular Literature & Arts.
Curricula: Arts ; Literature ; Design ; Digital Arts.
Resources for teachers & students:
Note video:This is an excerpt from Brain Caplan's documentary-in-progress on the Dada movement, titled, Random Acts of Beauty: The Story of Dada.
"Dada is for dreams, colorful paper masks, kettledrums, sound poems, concretions, poem statistics, for things that are not far from picking flowers and making bouquets."
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